Fragmented Landscapes
Artists’ Gallery is pleased to present Fragmented Landscapes, an exhibition featuring the work of Prajakta Joshi and Denise Jill Marshall.
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Prajakta Joshi "Cerulean Rift" acrylic on canvas |
Prajakta Joshi’s canvases capture the quiet heartbeat of existence, exploring the five elemental forces—Earth, Water, Fire, Air, and Space—through intimate visual meditations on life’s constant movement. Stepping away from traditional landscapes and still florals, her paintings blend warm, seamless gradients, striking color, and sweeping gestural brushstrokes to remind us that we are not fixed beings, but fluid, ever-unfolding stories.
By mapping the outer rhythms of nature directly onto the internal landscape of our ideas and thoughts, her art humbles the grand forces of the universe.
Prajakta believes it serves as a gentle whisper to the restless heart: "When we release our need for control and tune into these natural elements, we find room to breathe, adapt, accept, sustain, and simply grow."
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Denise Jill Marshall "Gehry Reimagined" woven photograph |
Denise Jill Marshall first began her career as a professional photographer in Massachusetts General Hospital, documenting medical procedures that ranged from the mundane to the lifesaving. It was there that she first witnessed how people and things can be put back together again, often more truthful and alive in their second iteration.
After decades working in landscape, event, and portrait photography, Marshall found herself at a crossroads in 2021. After the catastrophic first year of the COVID-19 pandemic, Denise was diagnosed with breast cancer. She then underwent a year long treatment and recovery process. During that year, while facing so much medical adversity, Marshall unmade and remade her artistry.
Photographic weavings became her primary expression. She’d take apart one or multiple images, overlaying them to highlight different textures and themes in the image or images. This all serves to make us see beyond what the camera sees, and instead show what Marshall sees behind the lens. The image is physically unmade, but then reconstructed like those patients at Mass General or her health in 2021. In its reconstruction, it is even more alive.
















